I started the workshop a bag of nerves, not having a clue what to do. I explained that to the participants, and I was quickly put at ease by their eagerness and understanding. There were 20 to 25 players, ranging from beginners to fairly accomplished musicians, and we got started by playing scales to get warmed up. Because of the numbers of participants, we figured out that it would be best to break up into smaller groups. This worked a charm, especially as it seemed that each group ended up with a mixture of players of different calibre, so that the more experienced could help those of lesser ability. By the end of the morning, everybody had Auntie Mary pretty well down pat, and one of the groups even had harmonies and counter melody worked out! After dinner, we took on the challenge of Doggie Doggie, and, quick learners all, we managed to finish off the day with everyone playing the two tunes.

I have to say that I enjoyed the day thoroughly. I hadn't taught before, not what you'd call official teaching anyway, and I was a bit apprehensive when Jean asked me to do it. I have often said that just because you can do something doesn't mean you can teach others how to do it. I have never been taught to play the whistle, and so had no formal method of teaching to rely on, but the patience the participants and their willingness to learn soon made me feel much better. I would heartily recommend anybody asked to do something similar to go for it. I feel it's important to pass on the knowledge we have about our respective instruments, and these workshops are a great route to take.