For me, every issue of The Broadside is an opportunity to learn. Often, I learn about someone or something directly through an article or indirectly because the article prompts me to do some research. The icing on the cake is when I actually get to know people better by working with them. Development of this issue has afforded me that opportunity twice over; in addition, I met someone new while doing a little research. So, I’ve been served a generous portion of one of the mysterious graces that keeps me alive.

To learn about someone’s work, especially when the individual loves and is inspired by it, is an uplifting experience. I was fortunate this time to work closely with Greg Walsh on his submission about the Arthur Scammell Collection. I experienced first-hand his deep connection to the work that he does, learned something about the nature of that work, and gained insights into his perception that the work of an archivist is similar to that of the musician.

Circumstances were such that I also spent considerable time working with Marnie Parsons, as we planned for and prepared the pieces for this issue of the newsletter. What strikes me most about Marnie is her enthusiasm for life and for the work of the SJFAC. She is betimes inspired, amused and amusing. I am impressed by her remarkable ability to view things from many perspectives, with compassion and understanding for each perspective.

And I met someone new, albeit through the internet. A look at Chris Pappas's website reveals him to be a multi-faceted, quirky, inspired, alive human being. I am glad that I was able to introduce such a lively individual to Art Scammell and the Squid Jiggin’ Ground.

Enough about me. You have in your hot little hands the first 2004 edition of The Broadside. It’s a good read. I’m very grateful to the generous souls who take the time to write for the newsletter. Keep it coming, please. Thank you, Sally and Rick for your assistance. Marnie, you are a star!

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